LITERATURE Essay Example | Topics and Well Written Essays - 2500 words

LITERATURE - Essay Example While generally the end of the First World War can be regarded as the commencement of the modernist tradition in literature, end of the Second World War marked initiation of the postmodernism. The writers of modernist tradition, after experiencing the radical shift from romantic traditions which also was further worsened by great devastation of the First World War, attempted to develop a holistic approach that they considered to be a matter of great importance to solve the prevailing problems. The postmodernists on the other hand adopted quite a different approach than that of the modernists and emphasized on the evaluation as well as analysis of the different aspects that construct life from in a fragmented manner. Irrespective of the fact that postmodernists derived a great deal of their inspiration from modernist traits of writing, however, their attempt to deal with subjects of novels in a fragmented and highly individualized manner developed the core of postmodernism. Such effor ts not only helped in the genesis of different sub-genres in the 20th Century novel writing tradition but also helped readers to receive more accurate understanding of the social, cultural, political and philosophical scenario of the contemporary time. ... to art and aesthetics of modernist literature, development of popular literature and to which extent these two novels, respectively, have helped in understanding the forms of postmodern existence in a better way. In order to establish the criteria for determining the best novel of 20th Century, it is important to understand both modernism and postmodernism as these two literary and philosophical disciplines have played the most important parts in determining the aesthetics of the century, elaborated the socio-cultural aspects and finally help a reader to understand the relevance of texts with both aesthetics as well as socio-cultural dimensions. The term ‘modernism’ has raised a great deal of debate, dilemma and controversies among critics of literature and such vast is its expanse that quite often it becomes difficult to determine the actual literary-philosophical dimension of the discipline. Thus, critics like Malcolm Bradbury and James McFarlane, in their efforts to d etermine modernism, have emphasized on two different â€Å"sets of association† (Gupta, 2005, p. 221). In the first set of association they have opined is linked with â€Å"high aesthetic self-consciousness and nonrepresentationalism, in which art turns from realism and humanistic representation towards style, technique, and spatial form in pursuit of a deeper penetration of life †¦.† (Cited in Gupta, 2005, p. 221). This type of association helps in the genesis of experimental and innovative arts and consecutively deconstructs the traditional forms of artistic perception as well as representation in terms of structure, myth and organization. In the second type of association the critics have attempted to elaborate the reasons that resulted in such changes. While on one hand the intellectual dimension